Arts Fuse Editor
Jennifer Brea’s absorbing and moving documentary about Chronic Fatigue Syndrome is a stunning achievement.
As a storyteller, Rohina Malik exudes warmth and humanity.
Anthony DeCurtis wants to do justice to his subjects’ extensive catalogue, but the book begins to feel less like exegesis and more like Lou Reed 101.
Thelma learns that she can’t escape who she is — but she can control what she does.
Ultimately, this production of Lost Girls might have gone deeper if it had been slowed down a bit.
SpeakEasy Stage Company’s production of Shakespeare in Love comes off as lovely, temperate, and at least a little trite.
To the end of his life, David Bowie was excited about creating innovative sounds and collaborating with new musicians.
De Hamel’s history is a detective story, a love story, and a revelation of the nourishment to be found in celebrated libraries and collections.
KNYUM is unlike anything else New England theatre currently has to offer — in the best possible way.
Performance has always included sex and physicality in its attractions. Koubi’s work tries to move the spectators to a higher level.
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