Arts Fuse Editor

Book Review: “I Can’t Breathe” — Humanizing the Underclass

February 5, 2018
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Follow almost any of these police brutality cases to their realpolitik conclusion and you will eventually work your way back to a monstrous truth.

Theater Review: Wilbury Theatre Group’s “The Skin of Our Teeth” — Surreal Meltdown

February 5, 2018
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The WTG production succeeds largely because it heightens the absurdity of a play that takes a comic look at catastrophe.

Dance Review: BB@home — Trainees’ Playground

February 4, 2018
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The show, organized by associate director of BB II Peter Stark, was built to show off the talents and challenge the performing chops of the young dancers.

STREAMING DOCS: A-list Documentaries, February Edition

February 4, 2018
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Where to find the best in new documentaries? In the brave new world of digital streaming.

Book Review: “The Ghosts of Galway” — Fighting an Irish ISIS

February 4, 2018
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Jack Taylor is a Beckettian character on the skids; he can’t go on, and yet he goes on.

Film Review: “Film Stars Don’t Die in Liverpool” — Unapologetic Romanticism

February 2, 2018
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The most compelling reason to see this film is Annette Bening’s performance as Gloria Grahame — it’s perfect.

Theater Review: “Proof” — Missed Moments of Power

February 1, 2018
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This Proof’s weakness comes from the thinness of its lead performances.

Jazz Concert Review: Lee Konitz at 90 — At the Regattabar

January 31, 2018
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Lee Konitz presented himself as the aging hipster he seems to be — sunglasses, laconic presence, and an I-don’t-give-a-shit attitude.

Coming Attractions: January 28 through February 13 — What Will Light Your Fire

January 28, 2018
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Arts Fuse critics select the best in film, dance, visual arts, theater, music, and author events for the coming weeks.

Book Review: “In a Lonely Place” — In the Mind of a Misogynist

January 27, 2018
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Dorothy B. Hughes is one of the finest female practitioners of noir.

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