Arts Fuse Editor
Kelley Donovan believes every dancer should own her movement, not just perform it.
Skeleton Crew offers a redemptive look at a national tragedy — the financial crisis of 2008.
Mostly, indie horror seems constrained, not by lack of funds, but by lackluster creativity and a sort of sloppy artlessness.
This Hopkins Center production will be the US premiere of Dada Masilo’s much-anticipated reimagined version of Giselle.
The communication among the group members is at a high level and the playing is flawless.
What a treat to see choreographers of different generations concentrating on ballet itself and asking the audience to appreciate what ballet can do.
Arts Fuse critics select the best in film, dance, visual arts, theater, music, and author events for the coming weeks.
Dramatist Rajiv Joseph probes the gentle sides of masculinity as well as the intertwined power of beauty and terror.
WATCH CLOSELY: “The Exorcist” — The Devil and the Deep State
TV’s The Exorcist reinvents its source material for an occult-savvy (not to mention cinema-savvy) audience.
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