Arts Fuse Editor
On these two discs you’ll find masterfully played, engaging excursions into the tonal beyond.
Some may think that the western-genre-turned-arthouse-gimmick has been played out, but Damsel‘s fresh energy and pioneering spirit offers redemption.
Ruby Rose Fox’s artistic/political mission with Salt is clear: the singer wants to look back at and revamp the radicalism of the ’60s.
Being able to comfortably shift gears between “high” and “low” culture is one of the easiest ways in which a contemporary critic can gain the reader’s trust.
L. M. Brown has also written poetry, and she brings some of that lyrical know-how to her promising first novel.
The privilege Edith Wharton’s characters swim in has not disappeared. If anything, it’s expanded farther into the social stratosphere.
Pepperland serves up the expected tie-dye nostalgia, keyed to a half-dozen Beatle tunes from the classic album.
At this time in the Boston jazz scene, there are no ongoing spaces for big bands and, predictably, the number of such ensembles has shrunk.
Nancy is mystifying, but in this case the inexplicable has its fascinations.
Visual Arts Commentary: Now + There — Reinterpreting Public Art in the Civic Environment
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