Arts Fuse Editor
Jack Taylor’s world is very much our world and his despair is our despair.
Films like Ben is Back will not foster an understanding of how drug addiction ravages the lives of the poor, the incarcerated, the uneducated, and the less fortunate.
Roma is Alfonso Cuarón’s gorgeous, neorealist ode to his formative years growing up in ’70s Mexico City, and to the housekeeper he took for granted as she carried him through that tumultuous decade.
I speak for the legions who benefitted from your friendship and your great energy and talent.
This volume is clearly critic Nate Chinen’s resounding response to the “jazz is dead” chant.
Pete Shelley’s elegies for the wilted flowers of romance were shouted over songs that were alternately tuneful and fierce.
The company’s staging is dynamic and vivacious, and the unconventional seating arrangements give audience members the chance to place themselves in the center of the action.
None of the opera recordings I have reviewed this past year beats this Cradle for dramatic vitality, musical imagination, and ongoing political relevance.
The success or failure of this show rests primarily on the physical presence, voice and acting of the actor playing the celebrated lyric tenor Roland Hayes.
Acclaimed playwright and screenwriter Michael Cristofer’s script is very open about portraying Emile Griffith’s sexuality.
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