Arts Fuse Editor

Film Review: “Pledge” — Lambdas to the Slaughter

January 12, 2019
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Pledge is Daniel Robbins’ third film, and his first really good one.

Book Review: “Physics & Dance” — The Intelligence of Movement

January 11, 2019
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The authors let dance serve as a way of embodied knowing — an intelligence that can unlock an understanding of physics’ theories and abstractions.

Film Review: “Destroyer” — A Jolting Ride

January 11, 2019
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This hardscrabble crime thriller is also a powerfully subtle character study.

Arts Fuse Podcast #9: Is There a Future for Fringe Theater in Boston?

January 10, 2019
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Is there a future for challenging non-corporate theater (i.e. the fringe), and what does that future look like?

WATCH CLOSELY: New and Old Spring Shows Worth Being Excited About

January 7, 2019
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Here is what a smart, savvy viewer who likes high-quality entertainment is looking forward to on TV this year.

Rock Preview: Lettuce — Stirring up a “Witches Stew” at the House of Blues

January 7, 2019
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“I want our music to be genre-less. Actually I want it to be genre-more.”

Blues CD Review: Ryan Lee Crosby’s “River Music” — A Potent Musical Stew

January 6, 2019
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River Music will satisfy the slightly adventurous listener as few other records I heard last year.

Notes on The Arts Fuse Podcast — From Its Producer

January 5, 2019
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I wanted the podcast to be both an honest reflection of what The Arts Fuse is, but also allow the voices that contribute to the magazine to find new ways of expressing their critiques in a new medium.

Rock Feature: Celebrating “The Wall” — Pink Floyd’s Version

January 4, 2019
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“Five hundred years from now, people will come to that album the way that people come to Wagner and Beethoven. This is a classical piece from our era.”

Book Review: “Chopin and His World”—A Kaleidoscopic View of His Works, His Life as a Polish Exile in Paris, and Even His Remarkable Hands

January 2, 2019
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Chopin and His World establishes multiple new starting points for further studies of one of the world’s greatest composers, yet it can be read with pleasure by people who merely(!) love the music.

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