Arts Fuse Editor
Over thirty years after it premiered, the script remains touching and funny, with the added merit that it provides a refreshing respite from the sour discourse of 2019.
Two new musicals aimed at young audiences: One sings, the other yowls
Aziz Ansari does get laughs throughout his set, but the tone of Right Now begins and ends on a note of sobriety.
In Frozen Charlotte, Susan de Sola provides readers with enough aesthetic pleasure and thoughtful commentary about today’s world to remind us of just how good — and necessary — poetry can be.
The touring company of Dear Evan Hansen is every bit as good as its Broadway counterpart.
Selling Kabul poses many questions from the point of view of people seldom represented on the American stage.
Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
Despite Dark’s complicated structure, the characters are motivated by utterly realistic desires and emotions, which balance the show’s more abstract elements.
This world-premiere recording of the 1826 Paris version of Gaspare Spontini’s Olimpie makes a powerful case for a composer much admired in his own day.
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