What you will be impressed by is the strength of the interior thinking, the detailing of the voices sorting out their confusion.
Salome is not the only strong opera based on an Oscar Wilde play. This one-acter by Zemlinsky deserves a place in the repertoire today.
L. M. Brown knows there are certain questions in life that we just never get the answers to. Or dare to ask.
Les Misérables invites us to ponder, in real time, how people respond in a chaotic, dangerous situation.
In this disc dedicated to black heroes of the Civil Rights Movement, Christian McBride insists that everyone must be free if any of us is going to be.
Camile Bertault is an uncommon talent. She has a crystalline voice, good intonation, understands the rhythmic and harmonic underpinnings of jazz and has a prodigious memory.
I’m not sure Can You Imagine? will be able to summon back Dizzy Gillespie from the great beyond, but it’s not a bad way to pass the time while we wait.
If one of the aims of art is to create a distinctively imaginative world, than Pass Over succeeds in generating a landscape of devastation, a hopeless place filled with gaping wounds and visible scars.
This BBC/Netflix production is an audacious rekindling of the undying appeal of literature’s most famous vampire.
The Effect is about the brain, pharmaceuticals, and how little we know about each.