Debra Cash
George Fifield has been pushing the conceptual ball called contemporary digital and intermedia art up a hill for decades.
Now 58, the noted choreographer’s succinct gestural language, coincident use of music and musical ideas, and spatial elasticity is now completely second nature.
Stave off boredom. This is going to be a smoking festival.
The exploitation of the free labor of artists may finally have hit a critical mass in 2014, generating enough publicity to make observers righteously angry.
This week, The New England Foundation for the Arts (NEFA) announced that Cathy Edwards will become NEFA’s new Executive Director.
You’d be a fool to miss taking advantage of Boston’s Mayor’s Holiday.
If you know Swan Lake, there will be few structural surprises. Girl turned into swan, prince falls in love, prince gets fooled, they both feel really terrible, and die.
Isango’s Magic Flute/ Impempe Yomlingo is lit by flashes of brilliance. Most can be traced directly to Mandisi Dyantyis’ reorchestration of Mozart’s orchestral score for an ensemble of marimbas.
Book Review: “Culture Crash” — The People Who Followed Their Bliss Off a Cliff
Truth is, the fraying of the middle class is not just something that has happened to creatives.
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