David Greenham
My advice: see this show in Boston before it settles into New York for what should be a long run.
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This well-directed and performed production of a musical about the universal longing for connection delivers a stirringly heart felt experience.
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This “Rocky Horror Show” for the Gen Z set contains (at least potentially) enough flash and zap to successfully put across a new take on a campy cult classic.
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“The Half-God of Rainfall” is a challenging journey relayed in a memorable production that will resonate with you for a long time.
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All in all,Tall Tales from Blackburn Tavern is an entertaining look at the things that went bump in the night in Gloucester.
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There are powerful moments in “The Jump Shot,” particularly those that explore the psychological impact of COVID on our minds and lives.
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In this script, dramatist Martyna Majok has created an opportunity for those who live in (or near) cities to see and hear the struggles of the underclass.
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Perhaps what’s most fascinating here is proof that Brenda Withers’ play has an evergreen quality to it. “The Ding Dongs” may prove to be prophetic.
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Congratulations to Gloucester Stage’s new artistic director Rebecca Bradshaw for mounting the regional premiere of this interesting script, a kitchen sink comedy/drama that is anything but routine.
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Even when it is well-performed, as it is here, it is unclear whether Noël Coward’s well-constructed comic concoction deserves another theatrical lease on life.
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Locke’s List for 2025: Notable Operatic Recordings and a Few Non-Operatic Ones