David Daniel
Given the current administration’s attacks on independent journalism, “Cover-Up” couldn’t be timelier.
“Baby Driver” is a book in the tradition of American road literature, but it moves at a distinctly different pace.
Poet Adrienne Rich’s journey serves as a model for meeting the challenge posed for artists and the rest of us today, confronted with the rise of authoritarian forces in America.
“Trial 4,” along with other currently streaming crime docuseries, examines the systemic biases, misuse of official force, and internal corruption that impede and subvert justice, undermine convictions, undercut integrity, and erode public trust.
The book continually underlines the important cultural role little magazines played, and how women were central to their existence as founders, editors, contributors, critics, and patrons.
“Enigma” is as unlike the standard sports documentary as a Cybertruck is to a F-150.
There was, after all, something Faustian in the prospect of an elixir that promised to reveal glimpses of the divine while simultaneously burning pits of fire in the seeker’s brain.
“This book let me find out for myself why I’ve been obsessed with Dylan since my teens, and I presented what I learned in a way that I hoped others would at least see that I’m not crazy.”
California beach culture didn’t spring full blown from the ocean riding a longboard, but the closest you will come to a founding figure is the legendary native Hawaiian Duke Kahanamoku.
The notion that columnists like Breslin were “deadline artists” is apt. Their task was to come up with a story idea, track it down, then give it a narrative spark, all ahead of a ticking clock as the drop-deadline for the next edition loomed.
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