Bill Marx
Gish Jen’s novel about New England small-town life in the new millennium, “World and Town,” has just come out in a paperback. We greeted the hardback edition of the book with a Judicial Review, a fresh approach to creating a conversational, critical space about the arts. It is a good time to highlight the innovative approach again. The aim is to combine editorial integrity with the community—making power of interactivity.
Years (or would that be decades?) ago, editors had the self-respect to be embarrassed by critical incompetence, perhaps because there was the assumption that knowledgeable people were reading the paper. Those discriminating readers are long gone from the marginalized arts section of The Boston Globe . . . By Bill Marx I haven’t seen the…
Holiday season is kicking in, which means it becomes harder to find theater that doesn’t set out to warm your heart and melt your mind. Though a Santaland Diary or two remains, the vogue for cynical Xmas shows has run its course. Still, all is not lost when you can still find such extraordinary family…
The Whiting Award winner’s short story collection is made up of tales filled with a gentle lyricism as well as a clear-eyed concern for characters stuck in “survival mode,” men and women, sheep farmers and taxidermists, who are scraping by, past their prime, or morally lost. By Bill Marx. Born in Boston and raised in…
It is our good fortune that the Library of America has decided to make H. L. Mencken’s Prejudices, a mother load of uproarious, unruly, acidic reviews and commentaries on all things American — books, music, democracy, religion, education, food, women, mores — available.
Book lovers and filmgoers have long been able to sample art from anywhere they wish—to read a book in translation or to rent a DVD if they didn’t like the latest releases in the theaters. Now, because of HD, devotees of the stage will be able to roam the world. By Bill Marx. A Disappearing…
Parody is an art, and like any other art it calls for both imagination and technical skill. It is not enough for a parodist to detect absurdity in others. He must create something absurd himself—something deliberately, enjoyably absurd – John Gross, The Oxford Book of Parodies. The Method Gun by Kirk Lynn. Directed by Shawn…
By Bill Marx Can’t we get our unjustly neglected American playwrights right? A chance to see a marvelous, overlooked American play of the 1950s. And it is not by the prosaic William Inge. “When something seems ‘the most obvious thing in the world’ it means any attempt to understand the world has been given up.”…
October brings in epics from the classics (Shakespeare and Dickens), ghost stories from the classics (Poe, Henry James), a tragicomedy from a classic (O’Neill), and a comedy from a classic (Ben Jonson). Annie Baker, Ethan Coen, and the Rude Mechanicals provide some welcome respite from the tried-and-true. Given the state of the economy and the…
The novella revolves around that oxymoron of “silent voices”: Jon Fosse’s aim is to evoke the insinuating power of self-destructive forces that lie beyond our control.
Recent Comments