Bill Marx

Fuse Book Interview: George Kimball Takes The Library of America to The Fights

April 2, 2011
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Jack London was rather like Norman Mailer in that he thought of himself, and tried to write like, a boxer who happened to write. They were both often full of shit, but that’s the perspective they tried to convey.

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Arts Commentary: What Do We Talk about When We Talk about Cultural Dialogue

March 31, 2011
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An exchange about what meaningful online conversation about the arts and humanities entails. What kind of cultural dialogue would best serve the purpose of the Mass Cultural Council? To focus on the creativity of artists? Or to encourage critical thinking?

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Theater Review: Samuel Beckett’s Minimal and Maximal “Fragments”

March 26, 2011
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Yes, the confusion of my ideas on the subject of death was such that I sometimes wondered, believe me or not, if it wasn’t a state of being even worse than life. –- Samuel Beckett, “Molloy” Fragments. Texts by Samuel Beckett (Rough for Theatre 1, Rockaby, Act Without Words II, Come and Go, and Neither).…

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Book Review: The Greatest Horror Novel of the 20th Century

March 16, 2011
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German author Ernst Weiss’s nightmarish vision of science gone mad in his 1931 novel Georg Letham is not rote Freudian; it is firmly in the social critique/ apocalyptic Darwinian mode.

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Fuse Theater Review: The Apple Pie Beauty of “reasons to be pretty”

March 13, 2011
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Now that dramatist Neil LaBute’s scripts are being produced on Broadway he has fanned the earlier whiffs of amorality in his work away. The obscene language and provocative hooks remain, but those are not a bar to popular success (think of David Mamet).

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Theater Review: “DollHouse”: A Door Slams in Connecticut

March 11, 2011
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Dramatist Theresa Rebeck’s updated version of Ibsen’s play strengthens one key aspect of A Doll’s House—its picture of savage incomprehension between man and woman, which drives Ibsen’s call for independence and self-respect in a society that rewards complacency, greed, and childish role-playing. DollHouse by Theresa Rebeck. Based on A Doll’s House by Henrik Ibsen. Directed…

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Theater Review: A Flawed But Compelling “Ajax” at the American Repertory Theater

March 3, 2011
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Though it ends on an image of uneasy forgiveness, Ajax revolves around a worm hole of irrationality – Athena takes extreme actions and makes uncompromising demands but still insists on the “balance” of the gods

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Theater Review: Hotel Nepenthe — Rooms with a Comically Existential View

February 28, 2011
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Hard luck stories and ghostly characters flit in and out of the creepy yet elegant Hotel Nepenthe, an antique nest where guests are given leopard skin coats while they await their existential fates, sometimes lying in the bathtub. “For its own interests, humor should take its outings in grave company; its cheerful dress gets heightened…

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Coming Attractions in Theater: March 2011

February 26, 2011
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An exciting month, and that isn’t hyperbole. A couple of North American premieres: a futuristic opera from MIT’s Tod Machover and poet Robert Pinsky and a drama tweaking The New Testament from Howard Brenton. Toss in iconic director Peter Brook staging Beckett, F. Murray Abraham as Shylock, and Car Talk:The Musical and you are talking about taking out the smelling salts

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Theater Review: A Painfully Good “Europeans”

February 24, 2011
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Director Meg Taintor’s fine staging of Howard Barker’s play focuses on the complex script’s affecting personal through line: the growing love between reluctant war hero and disgraced victim, and their struggle to fashion something real amid the growing artificiality around them. The Europeans by Howard Barker. Directed by Meg Taintor. Staged by Whistler in the…

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