Bill Marx
Editor Nicholas Frankel is right to argue that familiarity with Oscar Wilde’s original manuscript of The Picture of Dorian Gray deepens its vision, suggesting that the 1891 novel is a far less morally reassuring tale than readers have thought. The Picture of Dorian Gray: An Annotated, Uncensored Edition by Oscar Wilde. Edited by Nicholas Frankel.…
It is really very much of its time and place, its particular moment in history. The social revolution of the 20s, the new freedoms for “modern” women, the flapper phenomenon, and the challenges to the class structure in urban 20th century America are among the issues in this 1927 silent comedy. By Bill Marx The…
This volume of one-act plays may gather up the whiffs and dregs of Tennessee Williams’ achievement, but their flashes of brilliance are valuable reminders of an artist who kept at his craft, come hell and high water, critical as well as popular.
William King is a loving, self-sacrificing, salt-of-the-earth character mooning over the vanished past; Sonia is a saintly wife yearning for hubby to join her in Heaven; the sons care for each other and for their father—time to pull out your hankies. Broke-ology by Nathan Louis Jackson. Directed by Benny Sato Ambush. Staged by the Lyric…
Dostoevsky’s theater is set on a metaphysical stage — both “The Grand Inquisitor” and “9 Circles” explore whether the actions of its central characters are meaningful or absurd.
Jack London was rather like Norman Mailer in that he thought of himself, and tried to write like, a boxer who happened to write. They were both often full of shit, but that’s the perspective they tried to convey.
Yes, the confusion of my ideas on the subject of death was such that I sometimes wondered, believe me or not, if it wasn’t a state of being even worse than life. –- Samuel Beckett, “Molloy” Fragments. Texts by Samuel Beckett (Rough for Theatre 1, Rockaby, Act Without Words II, Come and Go, and Neither).…
German author Ernst Weiss’s nightmarish vision of science gone mad in his 1931 novel Georg Letham is not rote Freudian; it is firmly in the social critique/ apocalyptic Darwinian mode.
Now that dramatist Neil LaBute’s scripts are being produced on Broadway he has fanned the earlier whiffs of amorality in his work away. The obscene language and provocative hooks remain, but those are not a bar to popular success (think of David Mamet).
Arts Commentary: What Do We Talk about When We Talk about Cultural Dialogue
An exchange about what meaningful online conversation about the arts and humanities entails. What kind of cultural dialogue would best serve the purpose of the Mass Cultural Council? To focus on the creativity of artists? Or to encourage critical thinking?
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