Aaron Keebaugh
When performed with this high level of polish and poise, even Mozart’s darkest music can make you smile.
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The group presented a program of edgy music with the bloom of youth.
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Kevin Puts’s mesmerizing song cycle probes the passion, loss, and resignation in the relationship between the artists Georgia O’Keeffe and Alfred Stieglitz.
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The only serious flaw in Boston Lyric Opera’s stripped-down staging approach to Aida was that not all the participants were quite up to the organization’s usual standards.
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Among Artistic Director Holly Druckman’s goals is to turn Cappella Clausura into a “very serious player in the Boston early-music-new music scene.”
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The performance of the Jerusalem Quartet was marked by considerable poise, polish, and personality.
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It’s a rare treat to hear these three Francis Poulenc sonatas on a single program.
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The Boston Chamber Music Society’s greatest strengths lay in its skill in letting the music breathe.
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It is only a month into the current season, and the Boston Symphony Orchestra has offered three pieces that have either been heard for the first time in Symphony Hall or given that more rare honor that evades most premieres — the deuxième performance.
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Concert Review: Horizon Ensemble Ushers in a Festive Autumn
There wasn’t much autumnal despondency in this Horizon Ensemble program; it was dedicated to the upside of the season, an invitation to enjoy all its warmth, friendship, and festivity.
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