The likable Commonwealth Shakespeare Company staging leans very heavily on the comedy in ALL’S WELL THAT ENDS WELL, minimizing the Bard’s melancholic undertow.
All's Well That Ends Well
We are hitting the season of high summer now, with productions coming fast and furious. As is my wont, I will single out shows that are off-the-beaten path. This is not to say that the production of “Guys and Dolls” at the Barrington Stage Company isn’t as terrific as I have heard it is. Only that I want to venture beyond brand name material.
It should be pointed out that in London it is possible to see more shows in a limited time than one can do in the United States. Why? Because it has long been the sensible practice to stagger weekday matinees. By Caldwell Titcomb Shakespeare first, of course. The British quite rightly never tire of “Hamlet.” […]