Month: August 2009
By Harvey Blume Let me tell you why I heartily dislike and contemn Quentin Tarantino’s “The Inglorious Basterds.”
Read MoreBy Helen Epstein No one reviews talks but I’ve just attended two by some highly gifted women that deserve wider notice. Director Anna Brownsted and actress Dana Harrison discussed their work on R.T. Rogers’ provocative play “White People” at Shakespeare & Company last week and author Brenda Wineapple gave a brilliant mini-seminar in American cultural…
Read MoreWhite People by J.T. Rogers. Directed by Anna Brownsted. At Shakespeare and Company, Lenox, Massachusetts, through September 4. By Helen Epstein What can possibly connect a reflective young History professor in New York’s Stuyvesant Town, a disconsolate Southern housewife and ex-homecoming queen, and a demanding Midwestern corporate lawyer? In J.T. Rogers’ powerful drama White People…
Read MoreIn a living society every day is a day of judgment; and its recognition as such is not the end of all things but the beginning of a real civilization. – George Bernard Shaw, “The Simpleton of the Unexpected Isles,” preface, 1936. Heartbreak House by George Bernard Shaw. Directed by Gus Kaikkonen. Presented by The…
Read MoreTHE THOMASHEVSKYS: MUSIC AND MEMORIES OF A LIFE IN THE YIDDISH THEATER. Written and hosted by Michael Tilson Thomas. Directed by Patricia Birch, with members of the Boston Symphony Orchestra at Tanglewood. by Helen Epstein I’m a fan of the serious introspective kind of memoir, that tries to wrest meaning from existential and emotional chaos.…
Read MoreBy Bill Marx Veteran “Village Voice” theater critic Michael Feingold has written a good column on the tragic news, for some, that the Broadway League and the American Theatre Wing, the organizations that jointly manage Broadway’s annual Tony Awards, have decided to remove the first-night theater press from the ranks of Tony voters. Some hand-wringers…
Read MoreBy Caldwell Titcomb The world’s largest festival of classical music is the BBC Proms in London. Founded in 1895 by Sir Henry Wood (who in 1918 was offered the conductorship of the Boston Symphony Orchestra but declined), the Proms this season run for two months from mid-July to mid-September. The core of the enterprise is…
Read Moreby Helen Epstein Go here for information about a live-chat, scheduled for August 23rd, with Helen Epstein on “The Art of Narrative Writing.” They were around for most of my lifetime, I thought as I listened to Martin Bookspan, the 83-year-old radio announcer and music commentator and 80-year-old conductor, composer, and jazz artist Andre Previn.
Read MoreBy Bill Marx The ruckus kicked up by Yale University Press’s refusal to include cartoons offensive to some Muslims in a forthcoming book called “The Cartoons that Shook the World” underlines the ironic difference between offensive words and images. (Perhaps Yale U Press should re-title the censored version of the book “The Cartoons That Only…
Read MoreThe Comedy of Errors by William Shakespeare. Directed by Steve Maler. Presented by Commonwealth Shakespeare Company at the Boston Common Parkman Bandstand, through August 16. Reviewed by Bill Marx Shakespeare can be punished by his own success. In “The Comedy of Errors” he juggles two sets of identical twins on stage with the dizzying aplomb…
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Music Commentary: New Orleans Jazz and Heritage Fest versus French Quarter Fest