Classical Music

Classical Album Review: “Guitar America 250 — Revolutionaries and Rockstars”

June 15, 2026
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Guitarist Aaron Larget-Caplan’s ambitious survey reframes the American story through guitar, poetry, and protest.

Classical Music Album Reviews: Semyon Bychkov and Paavo Järvi conduct Mahler

June 8, 2026
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Orchestral splendor meets interpretive risk in two Mahler releases.

Arts Commentary: In Memoriam, Michael Tilson Thomas (1944-2026)

June 6, 2026
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Early promise, enduring vision, and a lifetime of well-timed reinvention.

Classical Album Review: Sea Songs in Full Sail

June 2, 2026
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Arpeggione Ensemble turns music by Schubert, Mendelssohn, and Mahler into a resonant chamber seascape.

Concert Review: War, Remembered in Song

May 31, 2026
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At Shalin Liu, Skylark pairs Poulenc’s “Figure humaine” with Civil War–era music in a program of striking contrasts

Classical Album Review: Beyond “East Meets West” — Anne-Sophie Mutter’s Crosscurrents

May 24, 2026
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Anne-Sophie Mutter’s latest album sidesteps easy binaries, pairing Widmann’s mercurial Beethoven study with works by Chin, Darvishi, and Adès in performances of striking authority.

Book Review: “Defending the Music” – A Bracing Voice from a Bolder Critical Age

May 23, 2026
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This substantial collection of the writings of classical music critic Michael Steinberg evokes a time when critics educated, provoked, and helped build cultural life.

Concert Review: The Renaissance String Quartet and the Sounds of Friendship

May 22, 2026
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A compelling program of Donald Hass, Florence Price, and Brahms reveals ensemble precision and deeply felt musical dialogue.

Classical Album Review: Edward MacDowell’s Piano Concerto No. 2 & Orchestral Works

May 18, 2026
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A persuasive case for MacDowell’s orchestral voice, led by pianist Xiayin Wang and conductor John Wilson.

Opera Album Review: Argento’s “Voyage of Edgar Allan Poe” Finally Recorded — Rich, Strange, and Long Overdue

May 13, 2026
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Dominick Argento’s adventurous 1975 operatic transit through the psyche of Edgar Allan Poe proves to be both delightful and disturbing.

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