Classical Music
Guest conductor Dima Slobodeniouk and the Boston Symphony Orchestra invited listeners to a meditative evening of music.
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The Sphinx Virtuosi is terrific: the group’s unified tone and articulations, impeccable responsiveness and technique, and command of stylistic nuance are all of the first rank.
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With so many cooks, flaws were inevitable. But the effort was noble, and hearing Terence Blanchard’s beautiful trumpet sound in Symphony Hall was a transcendent experience.
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A pair of pleasant traversals of the French master’s complete piano music, or thereabout, from the still-relative-newcomer Seong-Jin Cho and the established Jean-Efflam Bavouzet.
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Violinist James Ehnes and the BBC Philharmonic supply some truly great performances; violinist Benjamin Schmid revels in composer Friedrich Gulda’s freewheeling sense of play.
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Semyon Bychkov supplies an extraordinarily well-played account of Mahler’s Third; Paavo Järvi’s version of Mahler’s Fifth avoids the more idiosyncratic excesses of Leonard Bernstein’s superb 1987 Vienna recording.
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Violinist Ray Chen and the BSO delivered one of the most seismic performances of Tchaikovsky’s Violin Concerto that I’ve heard.
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Navigating the clash between tradition and experimentation — they are often two vastly different artistic worlds — requires bold programming.
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“I wanted, with this opera, to see if audiences and collaborators could feel something about our changing weather, in an artistic space.”
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Conductor Jane Glover, marvelous soloists — including superstar countertenor Aryeh Nussbaum Cohen — and a superb chorus and orchestra invigorate one of Handel’s last and greatest works.
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