ZERO
Aging punk bands usually seem obliged to prove that their anger is still blazing. Since the Rezillos were never angry in the first place, they don’t have that problem.
Otto Piene’s art is at once appealing, accessible, and yet somehow unworldly: joyful mystery yoked to dynamic playfulness.
Arts Commentary: These Goosesteps Don’t Lie — Shakira in El Salvador and the “New Security” Aesthetic