• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar
  • Skip to footer
  • About
  • Donate

The Arts Fuse

Boston's Online Arts Magazine: Dance, Film, Literature, Music, Theater, and more

  • Podcasts
  • Coming Attractions
  • Reviews
  • Short Fuses
  • Interviews
  • Commentary
  • The Arts
    • Performing Arts
      • Dance
      • Music
      • Theater
    • Other
      • Books
      • Film
      • Food
      • Television
      • Visual Arts

Zanetto

CD Reviews: Mascagni’s “Zanetto” and Thomson’s “Four Saints in Three Acts”

Odyssey Opera’s first commercially-released album is a fun showcase; BMOP delivers an excellent performance of Four Saints in Three Acts.

By: Jonathan Blumhofer Filed Under: Classical Music, Featured, Music, Review Tagged: BMOP/sound, Cavelleria Rusticana, Four Saints in Three Acts, Odyssey Opera, Pietro Mascagni, Virgil Thomson, Zanetto

Commentary: Top Classical Recordings of 2016

I make no claims to have listened to everything released in 2016; here are my picks for the top classical recordings of the year.

By: Arts Fuse Editor Filed Under: Classical Music, Commentary, Featured, Music, Review Tagged: Andris Nelsons, Bartok By Heart, Boston Symphony Orchestra, Christopher Rouse, Dawn to Dust, Ensemble Pygmalion, Fresh Paint, Hans Abrahamsen, Isabelle Faust, John Adams, let me tell you, Mason Bates, Michael Nicolas, Missa solemnis, Mozart’s Complete Music for Violin and Orchestra, Nikolaus Harnoncourt, Pietro Mascagni, Radius Ensemble, Rhinemaidens, Sheherezade.2, The Chiara String Quartet, Thierry Fischer, Transitions, Under Stalin's Shadow, Works for Orchestra, Zanetto

Primary Sidebar

Search

Popular Posts

  • Film Commentary: “Everything Everywhere All at Once” — The Most Serene Movie in Years This movie reminds us that -- if there is any meaning t... posted on May 7, 2022
  • Book Review: Thomas Mann in America In the US, Thomas Mann tacitly proposed himself as an a... posted on May 5, 2022
  • Jazz Album Review: Guitarist John Scofield — A Solo Album, Finally Now that he’s 70, it’s only right that guitarist John... posted on May 3, 2022
  • Jazz Album Review: “Charles Mingus Trio” — One Kind of Masterpiece Even without the new takes, this Rhino reissue would be... posted on May 2, 2022
  • Classical Album Review: Violinist Lea Birringer plays Sinding and Mendelssohn Violinist Lea Birringer's performance of the Christian... posted on May 14, 2022

Social

Follow us:

Follow the Conversation

  • Philip Gerstein May 17, 2022 at 2:00 am on Visual Arts Commentary: Philip Guston and the Impossibility of Art CriticismIt is valuable, even vital to point out the gaping contradictions behind the labels and official commentary that accompany Guston's...
  • Allen Michie May 16, 2022 at 3:42 pm on Film Commentary: “Everything Everywhere All at Once” — The Most Serene Movie in YearsThe New Yorker review totally whiffs it: "Were it not for the appealing and charismatic presence of its cast, it...
  • Gerald Peary May 15, 2022 at 12:01 pm on Film Review: “The Automat” — A Documentary Love-In to the Restaurant ChainCall me stupid, be angry for a negative review, but why care so much when 95% per cent of the...
  • Dave Kearns May 15, 2022 at 10:08 am on Visual Arts Commentary: Philip Guston and the Impossibility of Art CriticismHave you a copy of Dore Ashton's 1988 essay, "That is Not What I Meant At All: Why Philip Guston...
  • Lisa Hurwitz May 15, 2022 at 2:43 am on Film Review: “The Automat” — A Documentary Love-In to the Restaurant ChainI think you believe this review is cute but when you write such a negative review in the tone you...

Footer

  • About Us
  • Advertising/Underwriting
  • Syndication
  • Media Resources
  • Editors and Contributors

We Are

Boston’s online arts magazine since 2007. Powered by 70+ experts and writers.

Follow Us

Monthly Archives

Categories

"Use the point of your pen, not the feather." -- Jonathan Swift

Copyright © 2022 · The Arts Fuse - All Rights Reserved · Website by Stephanie Franz