Yale-University-Press
Cohen devotes little space to Bernard Berenson’s art historical methodology, now largely superseded by modern approaches. She relates Berenson’s less admirable qualities without judging them.
Read MoreThe influence of two centuries of dandies on fashion — and the artful, strategic, ready-for-the-paparazzi self-presentation at the heart of modern celebrity — is on wide-ranging and colorful display in the Rhode Island School of Design Museum exhibit.
Read MoreThere is a steadiness about Nicholas Roe’s writing that is deceptive; the life in the Life does not jump off the page, but it accumulates during the reading so that something of what it felt like to be around John Keats remains, as things do when truly experienced.
Read MoreAt first glance, Oz and Oz-Salzberger’s “Jews and Words” seems to be an unexceptional if elegantly written and occasionally witty contribution to the Jewish bookshelf.
Read MoreTHE ART OF ROBERT FROST helped me get closer to the poems and in doing so helped me get closer to the poet.
Read MoreIn the encyclopedic, fascinating, and intermittently infuriating “The Woman Reader,” author Belinda Jack argues that we should not fear the battle between paper vs. pixels, but value reading and the ways it nourishes a woman’s inner life.
Read MoreJoshua Rubenstein’s succinct account of Leon Trotsky’s life rescues the Russian radical from a remoteness, positioning him at a useful distance for contemporary readers
Read MoreIn this valuable book, Gabriel Josipovici raises radical doubts about the aesthetic and spiritual satisfactions of conventional storytelling as well as the unquestioned values of realism, at one point condemning writers simply content to tell a story “and telling it in such a way as to make readers feel that they are not reading about…
Read MoreBy Bill Marx A number of new pieces on World Books since the last update in September, including my podcast interview with Benjamin Moser about his biography of Clarice Lispector (1920-1977) entitled “Why This World” from Oxford University Press. The Brazilian writer’s challenging stream-of-consciousness technique, lack of political bite, physical beauty and, Moser argues, her…
Read Moreby Helen Epstein Go here for information about a live-chat, scheduled for August 23rd, with Helen Epstein on “The Art of Narrative Writing.” HE: How did this situation evolve? JK: The basic facts are in the “NY Times” story. Yale University told the press to remove the illustrations: first the cartoons, then a second illustration,…
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Arts Remembrance: In Memoriam — Tom Stoppard