BOSTON'S PREMIER ONLINE ARTS MAGAZINE
The anti-cinema, represented by CGI, obliterates perception; it is not interested in tutoring the eye to see more deeply.
In his best screenplays, Graham Greene explored the idea of the protagonist as anti-hero well before it became a popular trope in the 1950s and ’60s.
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Film Commentary: “Pride and Prejudice” — The Nature of Love, Twenty Years On