Terry Gibbs
This 65-year-old recording features some of the best players in L.A. and it is bright, sharp, and revealing. There’s plenty to marvel at here even if I would have wished for more ballads and fewer Stan Kenton-like brass fanfares.
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The album’s explicit mix of modern jazz and klezmer set a template that is still being used by many of today’s most prominent Jewish music experimentalists.
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