Shakespeare
Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
Read MoreCry Havoc’s message: We expend energy in preparing young men and women for war, but no effort in re-engaging them into the life of not-war.
Read MoreAs an aged Ira Aldridge, John Douglas Thompson creates a spellbinding picture of vulnerability and strength.
Read MoreFew people are familiar with the achievement of nineteenth century African-American Shakespearean actor Ira Aldridge.
Read More“Americans have been most drawn to the great tragedies—in our classroom and on our stages. “
Read MoreTwo warhorses of the theater come to town: Shakespeare’s “Hamlet” trots along in the Globe Theatre touring production, while “War Horse” shows off the equine puppet body beautiful.
Read MoreThe Hartford Stage may be far from the shores of the Nile, but this lively production of Antony & Cleopatra and the company’s rejuvenated theater space are fit for the entertainment of a Pharaoh. Anthony & Cleopatra by William Shakespeare. Directed by Tina Landau. At the Hartford Stage, 50 Church Street, Hartford, CT, through November…
Read MoreThe complete Women of Will is an exhausting adventure, led by a manically enthused and deeply generous and talkative tour director who also is a fabulous actor. Reviewed by Susan Miron Women of Will. Written and performed by Tina Packer. Directed by Eric Tucker. Featuring Tina Packer and Nigel Gore. At Shakespeare & Company, Lenox,…
Read MoreReviewed by Helen Epstein I saw Shakespeare & Company‘s excellent production of Richard III in Lenox, MA last weekend (through September 5 at Founders’ Theatre), with an exceptionally strong ensemble that was kicked into high gear by a high-energy performance from John Douglas Thompson in the title role.
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