Sebastian Stan
Cristian Mungiu’s Palme d’Or winner asks whether understanding others requires seeing their side—or questioning our own.
It’s Jeremy Strong’s portrayal of Roy Cohn that hangs in this not-very-good movie like a Rembrandt on the cracked plaster of a La Quinta suite by the airport.
It is on the universal theme of identity that “A Different Man” resonates most eloquently, demonstrating how who we are is not fixed but chosen, a mask we don whether it fits or not.
Never mind the faint of heart, Mimi Cave’s first feature isn’t for people with weak stomachs.
What is the most depressing thing about Pam & Tommy? The series provides the most sympathetic portrait of Pam Anderson that is out there.
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