“Rothko in Florence”
This ambitious catalogue is strongest when it treats Rothko’s paintings as shifting perceptual structures—and weakest when it resolves them into metaphysical comfort.
BOSTON'S PREMIER ONLINE ARTS MAGAZINE
This ambitious catalogue is strongest when it treats Rothko’s paintings as shifting perceptual structures—and weakest when it resolves them into metaphysical comfort.
Film Music Commentary: Why “The Odyssey” Should Have Been a Silent Film