Ronan-Noone
The weight of the masterpiece on the other side of the kitchen door is ever-present, and it casts a smothering shadow on this lighter drama.
Ronan Noone’s allegedly frisky sex farce is bloodless.
The actors in the central roles are extremely fine, particularly Kathleen McElfresh’s beautifully nuanced performance as the anguished Bridget O’Sullivan.
By Bill Marx October includes the usual line-up of plays by seal-of-approval dramatists, Edward Albee and Conor McPherson, but there’s some welcome new blood, from Punchdrunk’s athletic adaptation of “Macbeth” to “Little Black Dress,” playwright Ronan Noone’s latest salvo at our national psyche, and “The Overwhelming,” the Boston premiere of a critically acclaimed study of…
Brazenly predictable, fearlessly anachronistic, Ronan Noone’s Brendan, which is receiving its world premiere production from the Huntington Theatre Company, is the kind of inspirational tearjerker comedy that is pleasant enough to sit through but damned depressing to think about.
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