Robert Eggers
The Northman is grounded in a manically precise capture of the Nordic world of the 9th century AD, but refracted through the lens of a whacked-out visionary in a spew of eye-popping images.
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The Lighthouse generates dark humor from the madness of toxic males gone rogue — wired to dominate, even as they self-destruct.
Read MoreThe Witch‘s brief jolts of violence seem perfectly calibrated to knock us out of our seats..
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