Princeton University Press
Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
Read MoreBetye Saar’s assemblages and travel sketchbooks are rich in references and symbols; they are mysterious and introspective, more spiritual than political.
Read MoreFaced with the dual dilemmas of the opacity of the albums themselves and the now painfully obvious narrative of colonialism, wealth, and white privilege, some of Fellow Wanderer’s authors dodge into more easily researched side issues.
Read MoreIf historian Thomas Crow’s goal is to explain how these rebels of the counterculture reshaped American art, he is at least partly successful.
Read MoreIn the US, Thomas Mann tacitly proposed himself as an almost messianic figure, stately, dramatic, and wrathful at once, striding forth to represent German culture in exile and, increasingly, free Germany itself.
Read MoreA thorough sociologist, Carolyn Chen shows, step-by-step, how companies self-consciously appropriate religious language and rituals, creating a ‘theology’ in which work and purpose are perfectly aligned in the lives of their highest-value employees.
Read MoreMartin Puchner is stumped because what is called for is a genuinely radical rethink about what role literature and literary studies should play in avoiding the global meltdown to come.
Read MoreMarkus Friedrich, a professor of early modern history at the University of Hamburg, has written a scholarly but immensely readable history of the order that will appeal to an audience beyond the Catholic tradition.
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Book Review: “Isabella Stewart Gardner: A Life” — Less Intriguing But Even More Mysterious
As befits an official biography, Silver and Greenwald approach their subject with decorum and respect: they neither hide nor emphasize potentially controversial elements, carefully outlining the sources of money in Isabella’s family and the old Boston Brahmin fortune of her devoted husband.
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