Princeton University Press
Optimistic, a canny survivor, relentless, genderfluid—poet May Swenson described herself as “I am one of those to whom miracles happen.”
Read MoreMax Ewing is little known today, but this book celebrates him as a sexually nonconforming bachelor who strove to impress the quirkiest bohemian clique of the Roaring ’20s.
Read MoreEach month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
Read MoreBetye Saar’s assemblages and travel sketchbooks are rich in references and symbols; they are mysterious and introspective, more spiritual than political.
Read MoreFaced with the dual dilemmas of the opacity of the albums themselves and the now painfully obvious narrative of colonialism, wealth, and white privilege, some of Fellow Wanderer’s authors dodge into more easily researched side issues.
Read MoreIf historian Thomas Crow’s goal is to explain how these rebels of the counterculture reshaped American art, he is at least partly successful.
Read MoreIn the US, Thomas Mann tacitly proposed himself as an almost messianic figure, stately, dramatic, and wrathful at once, striding forth to represent German culture in exile and, increasingly, free Germany itself.
Read MoreA thorough sociologist, Carolyn Chen shows, step-by-step, how companies self-consciously appropriate religious language and rituals, creating a ‘theology’ in which work and purpose are perfectly aligned in the lives of their highest-value employees.
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Book Review: “Isabella Stewart Gardner: A Life” — Less Intriguing But Even More Mysterious
As befits an official biography, Silver and Greenwald approach their subject with decorum and respect: they neither hide nor emphasize potentially controversial elements, carefully outlining the sources of money in Isabella’s family and the old Boston Brahmin fortune of her devoted husband.
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