Power Her Face

Opera Review: Thomas Adès’ “Powder Her Face” — Scandalously Relevant

Powder Her Face proved the perfect capstone to Odyssey Opera’s month-long survey of British (mostly comic) opera: biting, darkly humorous, provocative, and relevant.

Paul November 26, 2021 at 7:41 pm on Film Commentary: “The Bishop’s Wife” — Realistic Christmas SentimentI always loved Grant's subtle acting, look at his facial expressions when Young takes his arm to cross the street....
Jonathan Blumhofer November 26, 2021 at 11:49 am on Concert Review: John Williams’s Violin Concerto no. 2 at TanglewoodHi Randy, Thanks for your comment. Believe me, I’m no blind admirer of Williams: I agree that much (if not...
Randy November 25, 2021 at 9:08 pm on Concert Review: John Williams’s Violin Concerto no. 2 at TanglewoodI appreciate Jonathan Blumhofer bending over backwards to give John Williams's new concerto the benefit of the doubt. I cannot...
Ed Symkus November 25, 2021 at 8:41 pm on Film Review: “Karen Dalton: In My Own Time” – (One-of-a-kind musical find)Hi, Dick -- Thanks for the correction. I re-watched part of the documentary to find out exactly what was said...
Vincent Czyz November 25, 2021 at 12:21 pm on Book Review: Samuel R. Delany’s “Dhalgren” — A Critical War of WordsThanks for that, Todd. It's incorrect in the book itself as well. I sent an email to the publisher. VCzyz...

Power Her Face

Opera Review: Thomas Adès’ “Powder Her Face” — Scandalously Relevant

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Power Her Face

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"Use the point of your pen, not the feather." -- Jonathan Swift