Pınar Öğrenci

Visual Arts Review: At the Goethe-Institut, a Landscape Bears Witness

October 18, 2026

In her haunting installation “Cemetery of the Nameless,” Pınar Öğrenci contemplates displacement, anonymous deaths, and the cruelties that recur across borders and centuries.

Pınar Öğrenci

Visual Arts Review: At the Goethe-Institut, a Landscape Bears Witness

Recent Posts

Visual Arts Review: At the Goethe-Institut, a Landscape Bears Witness

Film Reviews: Escaping Putin’s Russia, Serving Vichy France — Three Films at the New York Film Festival

Jazz Album Review: Shakespeare’s Sonnets — Jazzed and Sometimes Overwrought

Book Review: The Swallows Are Watching — Radka Denemarková’s Dark, Restless “A Contribution to the History of Joy”

Film Review: “Misty Green” — Hollywood Dreams, Bitter Aftertaste

Popular Posts

Film Review: “Project Hail Mary” — The Sweet Smell of Science Fiction Wonder

Film Review: “Obsession” — The Horror of Dating for a New Generation

Theater Review: The Broadway Revival of “Sunset Boulevard” Assaults the Senses

Film Review: “EPiC: Elvis Presley in Concert” – The King’s Still the Thing

Film Review: “Marty Supreme” — A Thrilling, Empty Trip Through Ego and Excess

Categories

Archives

Recent Comments

The Arts Fuse