Peter Keough
From Mobile to Mars, from the mind of Robin Williams to the rise and fall of a Pez entrepreneur, and with a side trip to Newton South High.
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Both of these films explore the theme of difficult males and resilient, caregiving females.
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Yes, an ingeniously kaleidoscopic surface, but is there anything here, in terms of motivation, to justify all the fuss?
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A gathering of documentaries (not to mention features and shorts) whose exploration of the perseverance of longing and identity in the wake of a historical tragedy demand to be seen.
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Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
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This year the Camden International Film Festival, which may be the finest documentary film festival in New England, examines the importance of place.
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Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
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Inevitably, by recasting Petra von Kant as a version of Rainer Werner Fassbinder himself, François Ozon has rendered the film self-consciously cinematic.
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Peter Keough has edited a useful, insightful, and delightful new collection of short essays that explore films that appeal to adults who seek childlike glee or awe at the movies.
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Arts Remembrance: Lucia Small, 1963-2022
This is a profound loss to cinema and to Boston’s filmmaking community in particular, a close-knit group in which Lucia Small enjoyed many friendships and engaged in fruitful collaborations.
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