Peter-DuBois
Much ado about nihilism.
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Fall’s conflict is presented with insufficient power; its domestic tragedy is not propelled along its inevitably troubling course.
Read MoreThe Huntington Theatre Company’s production of Molière’s classic is bright and energetic.
Read MoreGina Gionfriddo’s would-be black comedy about the American worship of money and status is a misfire on all levels.
Read MoreThe Huntington Theatre Company’s magnificent production of Stephen Sondheim’s masterpiece A Little Night Music is as good as it gets.
Read MoreLydia R. Diamond’s Smart People is an amusing takedown of our “post-racial” world, and it is receiving a snappy, well-acted production via the Huntington Theatre Company.
Read MoreWhenever you hear greeting card bromides intoned with a straight face (it’s usually in scenes set in a hospital) you know that moral fuzziness isn’t far behind.
Read More“Rapture, Blister, Burn” feels less like an exploration of feminism today than a clever sitcom pilot that won’t be able to sustain its jokes for an entire season.
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