Paavo Järvi
Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
Arvo Pärt’s ubiquity in concert halls and on disc for much of the last fifty years suggests that he’s got plenty to say to our cultural and historic moment.
Semyon Bychkov supplies an extraordinarily well-played account of Mahler’s Third; Paavo Järvi’s version of Mahler’s Fifth avoids the more idiosyncratic excesses of Leonard Bernstein’s superb 1987 Vienna recording.
The Tonhalle-Orchester Zürich recording of Mendelssohn’s Symphonies doesn’t cast the composer as a radical, but the effort highlights the strengths of his music and finds ways to put distinctive interpretive stamps on several of these scores.
This recording presents one of the most lucid and well-programmed portraits of John Adams to emerge, well, in a long while.
John Nelson’s La Damnation de Faust is a triumph; you will rarely encounter Villa-Lobos played with greater understanding or in better sound than here; Paavo Järvi and his orchestra’s survey of Messiaen orchestral works early and late is resplendent.
Paavo Järvi and the Estonian Festival Orchestra present a probing and excellent version of Shostakovich’s Symphony no. 6.
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