Olivia D'Ambrosio

Theater Review” “Intimate Exchanges” — Semi-furious Comic Froth

It’s good fun and, for a while at least, it’s interesting to watch the actors fulfill the play’s impish demands.

David Ireland’s use of coded sectarian language helps him paint a vivid picture of the Belfast his characters call home.

Bridge Rep Theater director Olivia D’Ambrosio has not taken message-mongering to heart in this lively production of a rarely produced play.

With Julius Caesar, Bridge Repertory shows that it can assemble a strong ensemble and put together a memorable sensory experience.

Ross Weinstein July 9, 2020 at 6:47 pm on Visual Arts Commentary: “Placemaking” — Thoughts on the Virus and Our Current Public EnvironmentVery insightful article!
Steve Provizer July 9, 2020 at 4:29 pm on Film Commentary: Fellini at 100 — How the Mighty Have TumbledMatt-You write that we're in serious trouble if people don't watch Fellini's movies anymore. I realize there's at least a...
Matt Hanson July 9, 2020 at 1:46 pm on Film Commentary: Fellini at 100 — How the Mighty Have TumbledThe new poster I bought of the French edition of 8 1/2 would be very mad at me if I...
Roberta Silman July 9, 2020 at 7:36 am on Film Commentary: Fellini at 100 — How the Mighty Have TumbledWhat about Amarcord? It seemed to come from a special place in Fellini’s heart yet isn’t mentioned. And sometimes greatness...
Harvey Blume July 8, 2020 at 9:00 pm on Film Commentary: Fellini at 100 — How the Mighty Have TumbledSeems to me that dethroning Fellini is like toppling statues of Jefferson et al. Where does it stop? What is...