New Repertory Theatre
Zayd Dohrn’s slightly predictable Muckrakers offers some satisfying twists and turns as it moves toward the inevitable.
If you want to expand your heart and mind this holiday season, you couldn’t do better than go to The Little Prince.
The conceit of “On the Verge” is fascinating, inviting us, as all first rate speculative or science fiction does, to see our past through different lenses.
Benjamin Evett as Arthur and Erica Spyres as Guenevere turn in solid performances, dependable anchors for a cast that does the best that it can in a drab, bargain basement production.
What is a Judicial Review? It is a fresh approach to creating a conversational, critical space about the arts and culture. This is our ninth session, a discussion about the New Repertory Theatre’s production of David Mamet’s play “Race”, which revolves around the frenzy and fury generated by three attorneys who are asked to defend a wealthy man accused of raping an African-American woman.
This family’s twelve-year-old daughter found Little Shop of Horrors to be funny, silly, and wholly enjoyable, further cementing her desire to be onstage as much and as often as possible in the future.
Supplementing Eugene O’Neill’s high drama is a subtle score of music and sound created by Dewey Dellay, an Elliot Norton Award winner for Outstanding Design.
In “Art,” playwright Yasmina Reza uses theater to explore how powerfully we defend our fears and rationalizations.
The year kicks off with few unusual productions — companies are depending on proven New York hits, such as the Yasmina Reza duo, the Tony award-approved “Red,” and “Green Eyes,” though the Tennessee Williams curio tantalizes.
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