The Broadway run of The National Theatre’s production of One Man, Two Guvnors, based on The Servant of Two Masters by Carlo Goldoni, has been nominated for 7 Tony Awards. Here is Fuse Critic Ian Thal’s review of the National Theatre Live broadcast of the British production, first posted in September, 2011.
Playwright John Hodge chooses to ignore the complexity of the dissident writer’s experience — expedience for the sake of protecting something of value from destruction, an author fighting his inner demons to live long enough to finish what he believes to be a work of art that is also an act of political defiance.
In this compelling stage version of “Frankenstein,” urgency of revenge pushes forward, murder upon murder. Creature and Doctor merge in immorality. Both are playing God in their command of life and death. Sharing roles is the meaning of this theatrical experience. This is their message and their show.
Reviews of eight stage productions in London, with two terrific shows noted: American dramatist Bruce Norris’s powerful study of racial relations, Clybourne Park, and Alan Ayckbourn’s 1980 farce Season’s Greetings. Another winner on the West End, the critically acclaimed War Horse, comes to New York next week. By Joann Green Breuer. Penelope by Enda Walsh […]
London Assurance by Dion Boucicault. Directed by Nicholas Hytner. The National Theatre production presented by NTLive at the Coolidge Corner Cinema, Boston, MA, July 14. A bonus simulcast has been added to the NTLive lineup; on July 14th Coolidge Corner Cinema will, once again, simulcast Dion Boucicault’s comedy London Assurance starring Simon Russell Beale and […]
But in my arms until the break of day/ Let the living creature lie,/ Mortal, guilty, but to me/ The entirely beautiful. – W. H. Auden, Lullaby The Habit of Art by Alan Bennett. Directed by Nicholas Hytner. The National Theatre production presented by NTLive at the Coolidge Corner Cinema, Boston, MA, on April 22 […]
It should be pointed out that in London it is possible to see more shows in a limited time than one can do in the United States. Why? Because it has long been the sensible practice to stagger weekday matinees. By Caldwell Titcomb Shakespeare first, of course. The British quite rightly never tire of “Hamlet.” […]
“The Diaries of Kenneth Tynan” provides literate entertainment and cautionary tales about what happens to a critic when the will-to-celebrity triumphs over the urge-to-critique. The Diaries of Kenneth Tynan Edited by John Lahr. Bloomsbury, 439 pages. By Bill Marx Kenneth Tynan’s descent from brilliance to muddle is a fable for theater critics, a cautionary tale […]