Nathan Wolfe

Theater Commentary: Portrait of the Artist as a Predator

February 5, 2026
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Is it possible to separate the art from the artist or, in the case of Rhode Island’s Contemporary Theater Company, the artist’s husband?

Recent Posts

Book Commentary: Why University Presses Matter in New England
November 8, 2026
Film Review: “Godzilla Minus Zero” — Atomic Trauma Meets a Kaiju Brawl for the Ages
November 7, 2026
Theater Review: “The Wash” Finds Power and Joy in Solidarity
November 7, 2026
Theater Review: Chadwick Stokes’s “1972” Finds Its Voice in a Powerful Cry for Women’s Empowerment
November 7, 2026
Poetry Review: The Sensationally Intense Music of Marina Tsvetaeva
November 7, 2026

Popular Posts

Film Review: “Project Hail Mary” — The Sweet Smell of Science Fiction Wonder
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Film Review: “Obsession” — The Horror of Dating for a New Generation
May 8, 2026
Theater Review: The Broadway Revival of “Sunset Boulevard” Assaults the Senses
November 9, 2024
Film Review: “EPiC: Elvis Presley in Concert” – The King’s Still the Thing
February 27, 2026
Film Review: “Marty Supreme” — A Thrilling, Empty Trip Through Ego and Excess
December 24, 2025

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