musical
Ace performances help make Night Side Songs a rich and moving experience, compounded by the fact that it is valuable to be in a room full of empathy and love in these trying times.
As satisfying as this incomplete work is — much like Schubert’s “Unfinished Symphony” — we can still regret not being able to experience the completed work.
A.R.T Artistic Director Diane Paulus and Jeffrey L. Page are at the helm of this well-meaning but irritating revival.
The musical’s book, lyrics, and score are strong enough to warrant productions elsewhere.
The spirit of Oliver! explodes on stage here, and that is a credit to the ambitions of this company.
The new pop musical tells the oft-told tale of uxoricide from the women’s perspective.
If you enjoy singing and dancing in your theater seat to the sound of good music while learning a bit about American cultural history and its personalities, you will enjoy this show.
This musical hodgepodge at the American Repertory Theater could be called ‘Let’s Sing About Me (and Me, and Then More About Me).’
Driven by vibrant performances and exceptional design work, Murder for Two’s good-natured musical tale of murder makes it an ideal Halloween treat.
Theater Commentary: George Takei’s “Allegiance” — Taking Yanks to Task
George Takei’s musical, Allegiance, projects American democracy as it might have become.
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