Melinda-Lopez
In terms of the joy that theater can provide, this Speakeasy Stage production sets the bar high.
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Young Nerds of Color feels like a bit of an experiment, and it is the kind of creative research that we should hope will continue.
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The heart and soul that so prominently flavors the Black Beans Project no doubt reflects the hopeful moment we’re in.
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Melinda Lopez’s superb new translation of Yerma makes the language of the play approachable, even conversational, without losing the beauty of Lorca’s poetry.
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A newly published book of translations and two upcoming Boston-area stage productions confirms the enduring elemental power of Federico García Lorca.
Read MoreGrand Concourse does wondrous things: it encourages us ponder our own growth toward faith while emphasizing with the struggles of others.
Read More“Theater is my pathway to sanity,” Melinda Lopez explains.
Read MoreNo one I know is neutral about this kind of material and I was pleased to watch a play that did not shrink from its many complexities and challenges.
Read MoreDramatist Melinda Lopez’s “Becoming Cuba” holds your attention even after you see just where it is going and why.
Read MoreCharm’d magic casements, opening on the Foam Of perilous seas, in faery lands forlorn. — To a Nightingale, John Keats, 1819 GRIMM: The Brothers’ Tales Remixed & Re-imagined . . . Written by Gregory Maguire, Kristen Greenidge, Melinda Lopez, Marcus Gardley, Lydia R. Diamond, John Kuntz, and John ADEkoje. Directed by Summer L. Williams and…
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