Melinda-Lopez
Overall, this is a satisfying production of a turn-of-the-century play that still underlines enduring economic inequity.
In terms of the joy that theater can provide, this Speakeasy Stage production sets the bar high.
Young Nerds of Color feels like a bit of an experiment, and it is the kind of creative research that we should hope will continue.
The heart and soul that so prominently flavors the Black Beans Project no doubt reflects the hopeful moment we’re in.
Melinda Lopez’s superb new translation of Yerma makes the language of the play approachable, even conversational, without losing the beauty of Lorca’s poetry.
A newly published book of translations and two upcoming Boston-area stage productions confirms the enduring elemental power of Federico García Lorca.
Grand Concourse does wondrous things: it encourages us ponder our own growth toward faith while emphasizing with the struggles of others.
“Theater is my pathway to sanity,” Melinda Lopez explains.
No one I know is neutral about this kind of material and I was pleased to watch a play that did not shrink from its many complexities and challenges.
Dramatist Melinda Lopez’s “Becoming Cuba” holds your attention even after you see just where it is going and why.
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