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Max Stafford-Clark

Theater Review Round-up: Our Man in London

It should be pointed out that in London it is possible to see more shows in a limited time than one can do in the United States. Why? Because it has long been the sensible practice to stagger weekday matinees. By Caldwell Titcomb Shakespeare first, of course. The British quite rightly never tire of “Hamlet.” […]

By: Caldwell Titcomb Filed Under: Books, Featured, Theater Tagged: “The Black Album, All's Well That Ends Well, Anton Chekhov, Arcadia, Bridge Project, Caldwell-Titcomb, Carrie's War, Caryl Churchill, Collaboration, Cottesloe, Dreams of Violence, Duet for One, Dysfunctional Family, England People Very Nice, Ethan Hawke, Francesca Annis, Hamlet, Hanif Kureishi, Helen Mirren, Henry Goodman, J. B. Priestley, Jerusalem, Jez Butterworth, Jude Law, Juliet Stevenson, Katori Hall, Lyttleton, Mark Rylance, Matt Charman, Max Stafford-Clark, Michael Grandage, Michael Morporgo, National-Theatre, Nazis, Nicholas Hytner, Olivier, Phèdre, Racine, Rebecca Hall, Richard Bean, Richard Strauss, Richard Wilbur, Ronald Harwood, Sam Mendes, Simon Russell Beale, Sinéad Cusack, Sir Richard Eyre, Stefan-Zweig, Stella Feehily, Ted Hughes, The Cherry Orchard, The Mountaintop, The Observer, The Silent Woman, The-Winters-Tale, Three More Sleepless Nights, tom-stoppard, War Horse, William Shakeseare, Wyndham Theatre

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