Matt Hanson
Being able to comfortably shift gears between “high” and “low” culture is one of the easiest ways in which a contemporary critic can gain the reader’s trust.
The privilege Edith Wharton’s characters swim in has not disappeared. If anything, it’s expanded farther into the social stratosphere.
Arts Fuse critics select the best in film, dance, visual arts, theater, music, and author events for the coming weeks.
Arts Fuse critics select the best in film, dance, visual arts, theater, music, and author events for the coming weeks.
Roberta Silman’s engaging and deeply felt novel is a reminder of what it means to carry a historical burden on both a personal and national level.
Arts Fuse critics select the best in film, dance, visual arts, theater, music, and author events for the coming weeks.
Even after decades, The Damned is still grandly flying its freak flag.
In a culture that seems hell-bent on distracting us from painful realities, the intimacy of this production comes off as redemptive and inspiring.
Arts Fuse critics select the best in film, dance, visual arts, theater, music, and author events for the coming weeks.
Wild Wild Country details the insane clusterfuck that results when faith, fundamentalism, and media hype intersect.
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