Lorraine Victoria Kanyike
James Ijames’s funny, moving family fable receives an engaging New England premiere, but its comforts also raise questions about what local theater should risk in a moment of public crisis.
This is the most slickly engaging of Mfoniso Udofia’s scripts so far, its domestic melodrama enlivened by welcome humor, detailed characterizations, and moments of pathos.
Concert Review: Yo-Yo Ma Elevates a Dispiriting Boston Symphony Orchestra Opening Night