London Jazz Festival

The Fuse in London: Jazz Festival Diary 7

November 29, 2010
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A modern version of the venerable double bill: first, Drácula, a 1931 Spanish-language film accompanied by guitarist Gary Lucas performing his half-improvised original score. Next came the film Spark of Being, a re-imagining of the plot of Frankenstein, co-directed by filmmaker Bill Morrison and trumpeter-composer Dave Douglas, who led his band Keystone in 13 pieces…

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The Fuse in London: Jazz Festival Diary 6 — Sonny Rollins

November 21, 2010
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Like a guru, Sonny Rollins offered words to live by at the conclusion of the show, words that are his own guidelines as much as they were advice to his fans: “Keep yourself straight and never mind the rest of the world.” By Steve Elman Imagine a great, blank canvas. Now begin to populate the…

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The Fuse in London: Jazz Festival, Diary 5

November 20, 2010
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Of course, that was the reason I was there. One of the best features of the London Jazz Festival is the programmers’ willingness to expose musicians from other world music traditions who engage with jazz in some meaningful way . . . By Steve Elman. Well, I just can’t remember the name of that pop…

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The Fuse in London: Jazz Festival, Diary 4

November 18, 2010
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One of the primary reasons I’m in London is to hear Martial Solal play in person. He’s had sporadic exposure in the US, always to acclaim. But the acclaim never lasts because he rarely performs on the opposite side of the Atlantic and his American commercial releases are infrequent. By Steve Elman Quick, can you…

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The Fuse in London: Jazz Festival, Diary 3

November 16, 2010
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But on to the bliss of the first half, and I don’t use the word “bliss” lightly. In every respect, John Scofield, Steve Swallow, and Bill Stewart are one of the most cohesive units in jazz, and their hour together was superb. By Steve Elman. John Scofield was the headliner last night, but it seems…

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The Fuse in London: Jazz Festival, Diary 2

November 15, 2010
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So what’s the critic’s function when the music itself doesn’t have critical mass with the public? Surely not cheerleading or hype. But surely not nose-in-the-air either. By Steve Elman. Well, some editors are paying attention. There were two London Jazz Festival (LJF) reviews, occupying a half page in the Times this a.m. Maybe the reason…

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The Fuse in London: Jazz Festival, Diary 1

November 14, 2010
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Why aren’t more people in the print media here paying attention to the London Jazz Festival? Last year, when I attended a week of the festival, I idly thumbed through the Times each day looking for reviews, previews, any mention at all, and coverage seemed meager. This year, the same or maybe less coverage. By…

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