John Kuntz
Playwright Gericke-Schönhagen, hoping to avoid the phenomenon of talking heads, deliberately placed emphasis on those letters between Voltaire and Frederick that dramatized personalities rather than ideas.
“The Boston theatre community can always profit from international influx. The German theatre scene in particular is quite innovative both in the plays being written and the productions that reach the stage.”
Charm’d magic casements, opening on the Foam Of perilous seas, in faery lands forlorn. — To a Nightingale, John Keats, 1819 GRIMM: The Brothers’ Tales Remixed & Re-imagined . . . Written by Gregory Maguire, Kristen Greenidge, Melinda Lopez, Marcus Gardley, Lydia R. Diamond, John Kuntz, and John ADEkoje. Directed by Summer L. Williams and…
By Bill Marx Somewhere an enterprising graduate student is working on a trenchant study of the correlation between holiday stage entertainment and the American economy. When things were looking bright and profitable the shows became cynical and comic, with mischievous elves placing whoopee cushions under our delusions of good cheer. Now that unemployment is high…
The Annual Francis Davis Jazz Critics Poll at Mid-Year: Warming Up a Riff — How It Happened, and Why It Matters