Jazz
Arts Fuse critics select the best in music, film, theater, author readings, and dance that’s coming up this week.
Arts Fuse critics select the best in music, theater, dance, and film that’s coming up this week.
The late Cedar Walton was part of some of the most potent bands in the history of jazz, most famously Art Blakey’s Jazz Messengers.
For Langston fails on its own terms, which is to produce a moving, insightful, and in some sense accurate interpretation of the poetry of Langston Hughes.
As Louis Armstrong, the gifted actor John Douglas Thompson is working with a script whose lines and contours are as woefully predictable as a profile in the old Life Magazine.
WGBH is exploring an interesting question — how little can you invest in arts coverage and still have the chutzpah to ask for money from supporters who mistake crumbs for a loaf?
Jazz songs by composer John Harbison? An ensemble devoted to the music of Björk? A quartet taking over a theatre and breaking the “fourth wall”? Jazz Week 2012 stakes out territory on the permeable boundary where jazz encounters other genres and even other art forms.
So Jason Moran has decided to re-create something that is already a pinnacle of a master’s work –- something that could hardly be improved on. You could be expected to ask Why? and How?
It was with great sadness that I learned that on the day after Christmas 2011 pneumonia carried off an underappreciated giant of jazz, saxophonist and composer Sam Rivers. His 88 years took him on a long journey from his midwestern origins to decades here in Boston and later in New York to a rich late period in the somewhat improbable locale of Orlando, Florida.

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