Holocaust
In choreographer Rachel Linsky’s hands — and the bodies of her articulate, reverberating dancers — you gain both kinesthetic and emotional access to the worlds of those who lived the Holocaust.
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Moissey Vainberg’s opera powerfully evokes the brutality of Hitler’s extermination camps and the moral ambiguity of postwar Germany.
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Ben Foster shines in Barry Levinson’s grim tale of love, loss, and hope.
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The Survivor examines what happens to someone who made the decision to survive in Auschwitz — no matter how.
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This is a great work, more linear than Tom Stoppard’s earlier dramas, yet filled with such intelligence and compassion that it will be read and seen for years and years and, perhaps, over time be regarded as his richest, most haunting play.
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Writer András Koerner has dedicated himself, lovingly and brilliantly, to assiduously reconstruct the lives of ordinary Jews in Hungary before the Shoah.
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The Painted Bird is a coming-of-age story populated by the worst of humankind.
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Here we have the story of a young Czech woman who could not only take a piece of fabric and shape it into a gorgeous dress, but could also take her experiences during WWII and shape them into a compelling memoir.
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Alan Rosen’s book thoughtfully illuminates the perilous calendrical devotion of Jews during the Holocaust, seeing it as a form of resistance.
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Television Review: “The U.S. and the Holocaust” — Vital Questions Left Unanswered
The U.S. and the Holocaust leaves a vital question unanswered: Is this the kind of nation we want to live and worship in?
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