Gael Garcia Bernal
“Magellan” circles the world and the world circles the drain.
American darkness is now up front and personal. “Holland”‘s stale moves miss where we are now — disaster isn’t hidden, it is in clear view.
Watching Cassandro become the “Liberace of Luchadors” is enthralling in itself, but we are also given the drama of seeing the protagonist wrestle with his own personal demons.
Arts Commentary: The Kennedy Center and the Boston Symphony Orchestra — A Tale of Two Crises