Erving Goffman
Recent Posts
Book Review: “Call Me Ishmaelle” — Was This Reboot Necessary?
December 29, 2025
Visual Arts Commentary: John Singer Sargent — A Particular Sort of Loner
December 29, 2025
Translation Spotlight: Haunted and Haunting
December 29, 2025
Popular Posts
Film Review: Del Toro’s “Frankenstein” — Creature Comfortless
October 26, 2025
Film Review: “XX”—Horror Anthology, Female Version
March 6, 2017
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Recent Comments
- PJ Celi on Music Feature: Shor’ty Billups — The Last Boston Soul Man
- Benjamin David Steele on Book Review: “Inheritance: The Evolutionary Origins of the Modern World” — Breezy and Bumptious
- Bill Littlefield on Book Review: “Call Me Ishmaelle” — Was This Reboot Necessary?
- Superman is good on Film Review: “Superman” — It’s a Bird, It’s a Plane, It’s a Mess
- Chuck on Film Review: “The Life of Chuck” — More Schmaltz Than Substance
Arts Commentary: Containing Multitudes — Five Shows Explore the Intersections of Identity and Performance
In dealing with the turmoil of ‘real’ life, the art of illusion found in cinemas, theaters, and museums will help us regain a sense of who we are as communal beings.
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