Erik Nikander
Qualms aside, Slow Food is an enjoyable show that taps into the uncertainties of middle-aged parents who must confront a strange, new life without the kids.
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The company’s staging is dynamic and vivacious, and the unconventional seating arrangements give audience members the chance to place themselves in the center of the action.
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Hub Theatre Company’s production bursts with energy, staged with a clear-minded sense of movement and a hand-made quality that generates ample charm and whimsy.
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Driven by vibrant performances and exceptional design work, Murder for Two’s good-natured musical tale of murder makes it an ideal Halloween treat.
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Most of the time, Actors’ Shakespeare Project’s production of Macbeth is compelling.
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Not all of the production’s choices pay off, but Hamnet is a fascinating, one-of-a-kind play that strikes at a universal sense of longing.
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Straight White Men features plenty of conflict, but most of this wrangling comes in the form of tiresome, repetitive familial bickering.
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The show’s attempt at satire comes off as blunt and lecture-heavy at times, but the production still manages to be an engaging comedy of manners.
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Commonwealth Shakespeare Company’s Richard III is a deft, gripping version of Shakespeare’s vision of malevolence, staged with verve and vision.
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Theater Feature: Best Stage Productions of 2018
Our theater critics pick some of the outstanding productions of the year.
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