Director Igor Golyak takes major chances in presenting a version of The Seagull that’s self-consciously about The Seagull. And they pay off.
A script with this many characters buzzing about demands a strong cast — fortunately, Hub Theatre’s terrific ensemble is more than up to the task.
At its best, Tiny Beautiful Things delves deep into demanding emotional territory without becoming sappy or maudlin.
modern world out of control is more perceptive and chilling than ever.
The CSC production maintains a sense of romantic adventure throughout, which makes it easier to accept some of the staging’s creative excesses — as well as the loop de loops of the Bard’s plotting.
This marvelous production pulls off a tricky balance — vibrant bursts of creative energy are put at the service of illuminating the thorny nature of memory and guilt.
Cry It Out is a well-done dramedy that suggests that we try harder to let life’s sweet moments linger.
As Zeitgeist Stage Company closes its doors, it’s hard not to wonder, with some bitterness, what our plucky local small-scale theater troupes would be able to accomplish if they had the resources they need.
The Clearing pulls off an impressive challenge for a historical drama: it examines humanity’s weakness in the face of prejudice in a way that is not only faithful to the time period but unmistakably timely.
Not Medea is a stirring character portrait, a detailed examination of the ruthless demands society makes — and has always made — on women.