Hub Theatre’s virtual production of Much Ado About Nothing recognizes Zoom’s potential for farce and leans into it: this is a rollicking delight of a show that refuses to take itself seriously, to everyone’s benefit.
There’s much to admire and appreciate about this MRT production; but the play’s lack of a solid dramatic spine is a crippling problem.
The Arts Fuse Mentorship Program invites high school students from diverse backgrounds (in this go around from Somerville High School) to team-up with Arts Fuse critics.
Our theater critics pick some of the outstanding productions of the year.
Director Igor Golyak takes major chances in presenting a version of The Seagull that’s self-consciously about The Seagull. And they pay off.
A script with this many characters buzzing about demands a strong cast — fortunately, Hub Theatre’s terrific ensemble is more than up to the task.
At its best, Tiny Beautiful Things delves deep into demanding emotional territory without becoming sappy or maudlin.
modern world out of control is more perceptive and chilling than ever.
The CSC production maintains a sense of romantic adventure throughout, which makes it easier to accept some of the staging’s creative excesses — as well as the loop de loops of the Bard’s plotting.
This marvelous production pulls off a tricky balance — vibrant bursts of creative energy are put at the service of illuminating the thorny nature of memory and guilt.